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・ La voce del Padrone
・ La voce del padrone
・ La Voce del Popolo
・ La voce del sangue
・ La voce del silenzio
・ La Voce Del Vento
・ La Voisin
・ La Voiture À Eau
・ La vie heureuse de Léopold Z
・ La Vie miraculeuse de Thérèse Martin
・ La Vie moderne (disambiguation)
・ La Vie nouvelle
・ La Vie Ouvrière
・ La vie par procuration
・ La Vie Parisienne
La vie parisienne
・ La vie promise
・ La Vie qui bat
・ La vie secrète des jeunes
・ La Vie sexuelle des Belges 1950-1978
・ La Vie Sur Terre
・ La Vie Théodore
・ La Vie à deux
・ La Vie Éco
・ La Vieille
・ La Vieille Airfield
・ La Vieille Charité
・ La Vieille Fille
・ La Vieille Fille (novel)
・ La Vieille Formation


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La vie parisienne : ウィキペディア英語版
La vie parisienne

''La vie parisienne'' ((:la vi paʁizjɛn), ''Parisian life'') is an opéra bouffe, or operetta, composed by Jacques Offenbach, with a libretto by Henri Meilhac and Ludovic Halévy.〔Lamb, in Sadie 1997, p. ?? (List of works)〕
This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas.
In 1864 the Théâtre du Palais-Royal presented a comedy by Meilhac and Halévy entitled ''Le Photographe'' (''The Photographer''), which featured a character called Raoul Gardefeu, the lover of Métella, trying to seduce a baroness. Two years earlier, a comedy by the same authors ''La Clé de Métella'' (''The Key of Métella'') was played at the Théâtre du Vaudeville. These two pieces presage the libretto of ''La Vie Parisienne'' which can be dated from late 1865.〔Fiche Technique, Lyon programme book ''La Vie Parisienne'', 2011, p. 5〕
==Performance history==
It was first produced in a five-act version at the Théâtre du Palais Royal, Paris on 31 October 1866. The work was revived in four acts (without the original fourth act) on 25 September 1873, at the Théâtre des Variétés, Paris.
The Théâtre des Variétés revived it in 1875 with Dupuis, Grenier, Cooper, Berthelier and Bouffar, Berthal and Devéria; it was rarely absent from the Parisian stage for many years with Dupuis returning repeatedly to his role and singers such as Jeanne Granier, Baron, Albert Brasseur, Germaine Gallois, Anna Tariol-Baugé, Max Dearly and Mistinguett taking part in the revivals.〔 Gänzl & Lamb 1992, p. 296〕
In 1958 a notable production was mounted at the Théâtre du Palais Royal, with Jean-Pierre Granval, Jean Desailly, Pierre Bertin, Jean-Louis Barrault, Jean Parédès, Suzy Delair, Madeleine Renaud, Simone Valère, and Denise Benoît. The Théâtre national de l'Opéra-Comique mounted the work in 1931 and then in 1974. Later Paris productions included the Théâtre du Châtelet in 1980 with Michel Roux, Daniele Chlostawa and Patrick Minard, and the Théâtre de Paris in 1985 with Gabriel Bacquier, Jane Rhodes and Martine Masquelin.〔
It was first given in London at the Holborn Theatre on 30 March 1872 in an adaptation by F. C. Burnand. The New York premiere was at the first Booth Theatre, on 12 June 1876.

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